Gentile Bellini

Italian c1429-1507 Gentile Bellini Gallery (b Venice, ?1429; d Venice, 23 Feb 1507). Painter and draughtsman, son of (1) Jacopo Bellini. An official painter of the Venetian Republic, he was a dominant figure in Venetian art for several decades in the latter half of the 15th century, known particularly for portraits and large narrative paintings in which the city and its inhabitants are depicted in great detail.


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Gentile Bellini Portrait of the Doge Leonardo Loredan oil


Portrait of the Doge Leonardo Loredan
Painting ID::  42925
Portrait of the Doge Leonardo Loredan
mk170 1502-1503 Oil on poplar 61.6x45.1cm
mk170 1502-1503 Oil_on_poplar 61.6x45.1cm
   
   
     

Gentile Bellini The Agony in the Garden oil


The Agony in the Garden
Painting ID::  50880
The Agony in the Garden
mk216 Oil on canvas
mk216 Oil_on_canvas
   
   
     

Gentile Bellini Polyptych of S. Vincenzo Ferreri oil


Polyptych of S. Vincenzo Ferreri
Painting ID::  52080
Polyptych of S. Vincenzo Ferreri
1464-68 Tempera on panel, 167 x 67 cm
1464-68_ Tempera_on_panel,_ 167_x_67_cm
   
   
     

Gentile Bellini the sultan mehmet ll oil


the sultan mehmet ll
Painting ID::  55965
the sultan mehmet ll
mk247 1480,oil on canvas,27.5x20.5 in,70x52 cm,national gallery,london,uk
   
   
     

Gentile Bellini the miracle of the true cross near san lorenzo bridge oil


the miracle of the true cross near san lorenzo bridge
Painting ID::  55984
the miracle of the true cross near san lorenzo bridge
mk247 1500,tempera and oil on canvas,127x169.25 in,323x430 cm,gallerie dell accademia,venice,ltaly
   
   
     

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     Gentile Bellini
     Italian c1429-1507 Gentile Bellini Gallery (b Venice, ?1429; d Venice, 23 Feb 1507). Painter and draughtsman, son of (1) Jacopo Bellini. An official painter of the Venetian Republic, he was a dominant figure in Venetian art for several decades in the latter half of the 15th century, known particularly for portraits and large narrative paintings in which the city and its inhabitants are depicted in great detail.

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